Video stupendo di Alex Roman, realizzato con una magistrale tecnica di compositing.

The Third & The Seventh from Alex Roman on Vimeo.

.Fullscreen it, please.

A FULL-CG animated piece that tries to illustrate architecture art across a photographic point of view where main subjects

are already-built spaces. Sometimes in an abstract way. Sometimes surreal.

Credits:

CG

|Modelling – Texturing – Illumination – Rendering| Alex Roman

POST

|Postproduction & Editing| Alex Roman

MUSIC

Sequenced, Orchestrated & Mixed by Alex Roman (Sonar & EWQLSO Gold Pro XP)

Sound Design by Alex Roman

Based on original scores by:

.Michael Laurence Edward Nyman. (The Departure)

.Charles-Camille Saint-Saëns. (Le Carnaval des animaux)

Directed by Alex Roman

Done with 3dsmax, Vray, AfterEffects and Premiere.

http://www.thirdseventh.com/

Breve video animato in stop motion per gioco.

Realizzato con iPhone e l’applicazione StopMo.

Backstage dell’opera “Primero el color” di Harush Shlomo.

Realizzato con la tecnica di animazione nota come “pixillation“.

L’opera è stata conclusa e posizionata in tre settimane nell’estancia Halcon Blanco, nella regione Entre Rios, in Argentina.

La colonna sonora è di ripiego: inizialmente doveva essere Mt Saint Michel + Saint Michaels Mount di Aphex Twin, per gli elevati costi di copyright l’artista ha preferito il brano Just Playn, dal sito ProductionTrax

Mi hanno mostrato questo stupendo video, concentrato attivo di render, compositing e montaggio di alta qualità.

Davvero bello, complimenti ai realizzatori.

(leggere sotto per la descrizione originale)

This title sequence was created by Barcelona-based Dvein for the F5 festival in NYC on April 16th and 17th, 2009.

http://f5fest.com

Credits:

Direction and Animation: Dvein

Music: Antfood

Dvein’s creative approach:

“When we were invited to make the F5 titles, we wanted them match the eclectic spirit of the conference. The idea was to get the soul of the speakers into the titles in some way.

“We asked each speaker to name five objects that inspire them or has something to do with their work. We received all kinds of answers—really interesting objects that gave us a great starting point: wind turbines, microscopes, lights, smoke, lamb rib cage, French bulldog…

“The speakers didn’t know what their answers would be used for, but they were the seed for our story. In this way, all the speakers added their bit. There is not a unique authorship but rather a multiple collaboration.”